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12:00am - 11:59pm

Once Upon A Day On Eday

Once Upon a Day on Eday by Martin P. Eccles. A 24-hour work exploring 'a whole day' of a small Orcadian island. Recorded over 12 days and encompassing the 24 hours of a day, into this sonic time and place are added two walks. First, a circumferential walk of the island taking in the whole of the island perimeter; this offers an additional shifting perception of this place, one shaped by time, the topography of the land, the elements and human scale movement within these. Second, a replicated walk around the south end of the island; eight times across 24 hours walking the same path. Again, time expands and changes across the replications. Overall, the work offers an opportunity to hear time and place unfold at the pace of the other-than-human world along with the measured pace of human walking.

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12:00am - 11:59pm

The Seddon Tapes Marathon

A special extended Wavelength broadcast, originally aired in 2013. The Seddon Tapes Marathon presents the voice of the late Captain Maurice Seddon (Royal Signals, retired).

Among other inventions, Captain Seddon had devised a means of recording telephone conversations onto cassette tape using a unique footswitch system which only allowed one person to speak at a time. Whether this was a deliberate feature to prevent the other person interrupting, or a rudimentary workaround for the difficulties involved in getting audio directly from the British Telecom landlines is unclear. William English later obtained Seddon's blessing to air these recordings, which first began appearing on the weekly programme Wavelength.

William English first met Maurice Seddon around 1978 when they were both working as motorcycle despatch riders. William recalls, "at that first meeting I never imagined that around 30 years later I would be grubbing around on the floor of Seddon's home Datchet Cottage gathering hundreds of dusty audio cassettes. (...) The local council – who were responsible for clearing the house and garden – considered the vast quantity of cassettes to be of no value; they had been swept into a grimy pile in the middle of the floor.

These cassettes had already been retrieved from a local tip by Maurice, and many of them had labels describing the original contents such as Azerbaijani folk music. These were then recycled – recorded over – but sometimes not quite fully erased, so that a distant trace of the previous recording might be faintly heard in the background. Maurice habitually recorded most of his telephone conversations unbeknownst to the person at the other end". See also the book To Farse All Things (2025) by William English and Sandra Cross.

Choice selections appear on The Seddon Tapes Volume One published by Paradigm Discs.

With thanks to Ed Baxter, James Tregaskis, Dan Wilson, and Milo Thesiger-Meacham.